Archive for the ‘Uncategorized’ Category

The Wilco Double Up.

December 30, 2015
WilcoChicago

Wilco at Pitchfork Music Festival 2015 (July 17, 2015)

Wilco proved (yet again) this year why they are one of the best live bands ever. I was able to catch two Wilco shows in one week this year. It was my attempt at the Wilco Double Up. I was was also finally able to catch the famed Chicago band in a hometown show, which was nice to cross off of my concert goals list.

One of the criticisms I’ve heard thrown at Wilco over the years is that some people label it as “dad rock.” You wish your dad was Nels Cline. When he uncorks solos like this on “Impossible Germany,” it will melt your face off of your face.

Like many great live bands, I respect that Wilco never play the same set/show twice. They will play some tracks you love, some songs you would never expect and some curve balls. The quality of Jeff Tweedy’s songwriting is best showcased at a Wilco gig, because you get so many songs from different eras of the band. Sometimes, they remind you how great some deeper cuts can be. They got really expansive on “One Wing” and covered the Uncle Tupelo song “New Madrid” at the Kansas City show. The Crossroads KC show also served as a great use of dynamics. The majority of the show was rocked out, fully electric. However, the encore was acoustic. This was a nice change in pace and made for a very well-rounded show.

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Wilco at Crossroads KC (July 15, 2015)

After over 20 years, it would be easy for a band to rest on their laurels and phone it in. This is not the case with Wilco. Between the KC gig on Wednesday and the Pitchfork Music Festival set in Chicago on Friday, Wilco dropped their first album in four years Star Wars.

At the Pitchfork set, Wilco played the entire new album, released the day before, live for the first time. Playing a whole new album live is risky, but Wilco is constantly pushing forward and being innovative. The new songs have a looser, carefree quality. The sprawl of some of the new songs reminded me of Sonic Youth. The crowd seemed confused at first, but warmed up at the songs wafted through the Chicago breeze. They followed up Star Wars with a bunch of classics. Watching people freak out to “Handshake Drugs” in the summer sun can be a glorious thing.

Wilco had a big 2015. They showed why they are still one of the best live bands touring today by never settling, consistently busting out setlists that clear 25 songs, and always being willing to surprise. The shows are always solid and the sense of something unexpected happening can create so much joy. Even after over 20 years, it will be fun to see what the future holds for Wilco.

 

 

Hip Fashion Report: Scarves.

December 28, 2015

Lenny

I recently did an audio piece about a hip fashion trend: Scarves. Listen to the piece here.

 

My Favorite Music and Concerts of 2015.

December 15, 2015
Kraftwerk

Kraftwerk at the Midland Theatre, in Kansas City.

With 2015 wrapping up, it’s time to look back on some of my favorite music and gigs of the year.

Canadian noise rockers Viet Cong put out my favorite album of the year. The sprawling, weird soundscapes of their self-titled debut make for quality extended listening. Serious shoegaze vibes that hit hard.

I also really loved the Chvrches album Every Open Eye. Their sound has really grown from their debut record. A track like “Keep You On My Side” peaks really well and brings the energy. The vocals are on-point (as always), but the beats hit harder and the songs are more epic.

Gigs:

German electronic pioneers Kraftwerk put on a show for the ages at the Midland this year. Kraftwerk perfected the idea of the “man machine” and raved the way for nearly every form of modern electronic music. It was my first 3D sit down rave. Visually, the show was stunning and the music wasn’t just a nostalgia trip. For something so robotic, it felt so lively, fresh and new. The show also marked Kraftwerk’s first Kansas City show in 45 years.

Stevie Wonder’s epic show at the Sprint Center was also one of the best of the year. He played for over three hours. The setlist included his classic album Songs in the Key of Life. He approaches music from a totally different angle. The hits were there, the jams were there, something for everyone. Janelle Monae sat in with Stevie in KC, which made the gig even better. Truly a once-in-a-lifetime show.

Favorite tracks:

The demo version of “Realiti” by Grimes is my favorite song of the year. Her whole sound really comes together on this track. An updated version of the song ended up on Art Angels, but the demo version has more rawness and punch.

I really dug the house vibes of Caribou’s “Can’t Do Without You.” I was lucky enough to catch him live at Pitchfork Fest in Chicago this year. It’s a glorious feeling hearing a song like this wash over a festival crowd.

New Orleans-based rapper Curren$y showed why he is one of the best rappers out there today with “Speed.” His vibe is singular and different. The production on this record is one of the best I’ve heard all year. This beat is so fresh!

The laid back, chill vibes of Martin Courtney’s “Airport Bar” made it one of my favorite tracks of 2015. The lead singer of Real Estate displayed a subtle shift in tone on his debut solo album. Courtney knows how to craft a really quality song.

What were your favorite music moments of 2015?

A Sticky Situation: $13.99 Almond Butter.

December 14, 2015

AlmondButter

This jar of almond butter costs $13.99. It seems so hip, it should be featured on http://stuffwhitepeoplelike.com/ I think I will smear it on artisan bread, crafted by monks in the Himalayas, and combine it with rare African cultivated jelly. Time to make a $55 peanut butter and jelly sandwich. I am afraid to try this almond butter, because I know I will probably like it too much. It will be like tasting the Mount Olympus of almond butter. All other spreads will become irreverent and my life up until that point will become a fallacy. A terribly sticky situation.

What Was Your Worst Handcrafted Cocktail Ever?

December 14, 2015

Made a quick podcast. What was the worst “handcrafted cocktail” you ever attempted to make? Check the piece out here.

“What Had Happened Was…”

December 13, 2015

A recent article on NOLA.com inspired me to create a short podcast episode. It was a very NOLA story in a strange way. Listen to the podcast here.

Something Fishy Going On: The Mainstream Emergance of the Hip Future Mermaid.

December 12, 2015

mermaid

There is an important trend in indie rock/hip culture that needs to be discussed: The emergence of the trippy mermaid from the future. There’s something fishy going on.

It’s like some of these entry level hip chicks go out and buy their mermaid witch starter pack. Boom! You’re a mermaid now. It’s like people are saying, “Please pay attention to me! I’m relevant!”

How does one find a hip future mermaid? This can be a challenge, especially if you live in a landlocked urban hellscape. Cast a net outside of any Urban Outfitters and you might be blessed enough to catch a glimpse of one, shimmering by the ironic ice cube trays. At a local, artisan belt buckle shop, you’ll look into her glistening eyes, “Are you from the future? Your scales are so luscious. Can we grab a chai tea?” Some folks these days look like a discount version of Grimes. Once you notice the mainstreaming of mermaids, you’ll see it all the time.

American Eagle Outfitters Celebrates The Budweiser Made In America Music Festival - Philadelphia, PA - Day 2

Grimes. (Photo credit: Stereogum)

Granted, the visual impact can be stunning. The mermaids can really hook you in, but it means nothing without substance. I feel like the Internet helps to cheapen ideas that start off as something unique and original. It’s like making a photocopy of a copy, the quality goes down.

If you’re an organic, handcrafted mermaid, nothing fishy there. If something is real, it should be a natural extension of yourself. You don’t need to join in with the corporate indie mermaid culture, just be true to who you are.

Past Interview Subjects Nominated for 2016 Grammy Awards.

December 8, 2015

The 2016 Grammy nominations were announced today. Several of my past interview subjects received nominations this year. I choose most of my interview subjects. If I interview an artist, it is because I greatly respect their work. It is always a great honor to interview so many diverse, talented people.

Guitarist John Scofield is nominated for Best Improvised Jazz Solo (for “Past Present”) and Best Jazz Instrumental Album.

Trumpeter Terence Blanchard is nominated for Best Jazz Instrumental Album.

The Punch Brothers are nominated for Best American Roots Performance and Best American Roots Song for their song “Julep.” They are also nominated for Best Americana Album.

Jason Isbell is nominated for Best American Roots Song for “24 Frames.”  He is also nominated for Best Americana Album.

Pianist John Cleary is nominated for Best Regional Roots Music Album.

Ladysmith Black Mambazo is nominated for Best World Music Album.

The Grateful Dead are nominated for Best Boxed Or Special Limited Edition Package.

DJ/Producer Kaskade is nominated for Best Remixed Recording, Non-Classical for his remix of the Galantis track “Runaway (U & I).”

 

Laying the Smackdown: Rekindling My Love of Live Pro Wrestling.

December 1, 2015

I went to the WWE matches in Kansas City on Saturday night (11/28/15).

Growing up, attending wrestling matches was one of my favorite hobbies. Before I started going to concerts, it was the big thing to do for me. The energy of being at a live event is unlike anything you would ever imagine from watching wrestling on TV. It is a very unique, surreal experience.

My first match was the pay-per-view Over the Edge, in 1999. Tragically, wrestler Owen Hart fell to his death from the rafters of Kemper Arena after his harness malfunctioned. The crowds also used to be a lot rougher back in the day. There was almost more fighting in the stands than in the ring. Back in 1999, people behind me got arrested for fighting about Stone Cold versus the Undertaker. You went to jail for your love of the Undertaker? I wonder how they feel now? Most likely still proud and still in jail.

While crowds are calmer and more family friendly these days, the furious anger of the fans was still palpable. On Saturday, the most heat from the crowd was directed towards the heel Bo Dallas. His “motivational speaking” on the mic really got the crowd riled up. Bo skillfully antagonized the crowd, “If you’re in need of a hero, raise your hand in the air. If your hand isn’t in the air, you are a liar!” He even took time out during the match to take a victory lap around the ring even though he was being beaten. Bo’s unwavering positive attitude mixed with the crowd’s seething hate was a sight to behold.

In-person, the matches have a completely different feel than the over-the-top bombast you hear from the commentary on TV. The crowds never know what matches or wrestlers are coming up next, so the excitement is genuine and infectious. There is no commentary piped into the crowd during matches. A lot of the crowd stands up for the entrances and then sits down for the matches. The crowd intensely watches the matches, awaiting the next move. It makes for an oddly calming experience.

It’s the subtle things about live events that make the most impact sometimes. The most vocal man in the crowd was the older black man in his 70s, seated next to me. When a wrestler would hit a big move, he would yell, “Dummy! You should have expected that! You should have seen it coming!” When Alberto Del Rio slammed Neville into the steel stairs, the man exclaimed, “Those stairs don’t budge an inch!” I could also hear the ref talking to the wrestlers. When Bo Dallas dragged Zack Ryder out of the ring, the ref pleaded with Bo, “Bring it back inside the ring, Bo! Are you not hearing these things?”

I took a 15 year break from seeing matches live and then got back into it in November of last year. Attending wrestling matches is one of the ultimate nostalgia trips for me. If you were ever into it, you go to a match and you know what to look for and what you would like to see. Kane’s side slam and chokeslam Saturday night were so old school, they should have been sponsored by Surge, Gushers and LA Gear.

However, something isn’t purely nostalgic when it’s right there in front of you, live, laying the smackdown in front of your face. Pro wrestling is staged and fake, but it is all about real athleticism. If I tried any of those moves, I would surely bleed sadness and failure all over the sqaured circle. Wrestling matches can be a glorious trashy, joyous thing.

One thing I learned from watching so much wrestling back in the day is that it’s not so bad to outsize yourself. Why not bring some overblown energy and joy into someone’s day? As you plod through your boring modern hellscape of a day, why not amp it up a little bit? Beast it hardcore! Like the Macho Man once said, “I’m 1000 percent, that’s way better than 100 percent.”

 

Why I Love Dance Music.

November 26, 2015

McClain and Electronic Music: A Short History.

I am an old raver!!! Get off of my lawn!!!!! Dance music is all about joy.

Moby was my first electronica show/rave. I went with my mom back in July of 2002. It was at City Market. Trance master Paul Oakenfold opened. I had just had my hip rotated, so I had a walker. Ravin’ with a walker. Kids these days don’t know nuthin’ about nuthin’!!!

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Moby crowd. City Market, Kansas City. 7/12/2002.

This was Moby’s first big hit, back in 1990, “Go.” https://www.youtube.com/watch?v=vxIxmMcAFLQ

Here is a long, classic goa trance (inspired by India trance) mix from Oakenfold recorded back in 1994:

Going to France for the first time (2001) also really got me into dance music. That summer, everyone was still bumping Daft Punk “Discovery.” Clubbing til sunrise or on the beach to the cheesy French disco ish jams. It is epic for sure. It was wafting out of every window. Here’s the (kinda cheesy/very French) classy “Digital Love.”: https://www.youtube.com/watch?v=FxzBvqY5PP0 Also, every year summer anthems come out in France. I call it “Beach music.”

This was also a big time for chillout and acid jazz. St. Germain was one of my favorites. Here’s the excellent “So Flute.”: https://www.youtube.com/watch?v=r7YZqD7dZcQ The soloists improvised solos over the beats, which was/is really cool for electronica.

In terms of chillout, Etienne de Crecy was big in 2001 too (Very French sounding): https://www.youtube.com/watch?v=Ve1kCq8Pma4

Zero 7 were also massive on the chill scene too. Here’s the 2001 classic “Destiny.”: https://www.youtube.com/watch?v=INn1C6ImJKg

Photek was big on the drum & bass tip then too: https://www.youtube.com/watch?v=ykALcAUWM-E

I used to listen to the BBC every week. House/new tune champion Pete Tong, the “Queen of Breaks” Annie Nightingale (She is also the longest running DJ on the BBC. She debuted in 1970), pop-dance-trance DJ Dave Pearce. Annie was one of my favorite interviews ever: https://mcclainjohnson.com/annienightingale/

Dave Pearce gave a nice perspective on dance music as well: https://mcclainjohnson.com/davepearce/

He would play trance and pop dance classics like this one from 1991: https://www.youtube.com/watch?v=xk8mm1Qmt-Y

My big first DJ interview was Florida breaks king DJ Icey: https://mcclainjohnson.com/dj-icey-interview/ Here’s an Icey track to give you an idea of what he does. Pop vocals on this one, rolling beats: https://www.youtube.com/watch?v=wwanTSuXNCM Breaks was/is really big in New Orleans and I used to club hard in NOLA to breaks and drum and bass until the early morning.

The Plump Djs were big too: http://www.lunarmagazine.com/features/plumpdjs.php Here’s an older one from the Plump’s off of their terribly named/excellently named album Eargasm: https://www.youtube.com/watch?v=Oah_pKcA4MQ

Underworld are my favorite band ever. They really have their own sound. This is one of my favorite songs of theirs, the joyful “Two Months Off.” https://www.youtube.com/watch?v=tyKeE3fBEsM

Old school vibes:
I have interviewed DJ Alfredo, who helped to get the Balearic/Ibiza sound going. Alfreo first came to Ibiza in 1976. https://mcclainjohnson.com/djalfredo/

I interviewed Danny Rampling, who helped launch the modern UK dance club scene around 1987. He helped make acid house popular. https://mcclainjohnson.com/dannyrampling/ “Success is measured by one’s daily actions. You achieve it by playing full out with passion, motivation, commitment. Once experienced, one likes to repeat the experience and build upon success. Success seldom comes without struggle, challenge, which makes it so enjoyable when it happens.”

My biggest DJ interview happened back in 2004, when I interviewed Oakenfold: http://www.lunarmagazine.com/features/oakenfold2004.php

I finally saw Kraftwerk live this year. It was their first KC performance in 45 years. It was my first sit down, 3D rave for old people. They were the first robots that were people. They were writing songs about computers in 1981. It was some of the first electronic music. https://www.youtube.com/watch?v=5ybQWD6N6Zo