Posts Tagged ‘2016’

Barista or Tweaker?

February 6, 2016

There is a barista competition in Kansas City this week. Lots of shaky, jittery people in town right now.

At first, I thought they were just the regular downtown tweakers and bath salt smokers. However, I then realized most were wearing flannel. “Nice ironic beard, Shaky McShakerson.”

I had also forgotten that the folk conference isn’t until the end of the month. The main difference between the barista convention and the folk conference is that the folky folks are carrying a banjo. #whitepeopleproblems #firstworldproblems

My Favorite Photos: January 2016.

February 5, 2016

Here is a collection of my favorite photos I shot in January of 2016.

Where’s Waldo? He’s Ravin’!

February 4, 2016

In a sea of faces the other night, I finally tracked him down. I found him! Chilling in the back, he was observing the dancing masses. The strobe lights flashed off of his glassy, glistening eyes. His eyes were bigger than his face. “My mouth tastes like hairspray and the crippling emotional uncertainty that my dad must feel,” he seemed to say to himself. As the bass rolled in to the next tune, he announced to his crew, “It’s lit, fam!” He stood up and staggered off, melding back into the dancing throng.

DJ Diehard: 5 Minute House Mini Mix.

February 3, 2016

I gave myself five minutes to record a house mix. It features some of my favorite tunes. This was recorded live with no re-edits.

Tracklist:

Route 94 “My Love”

BeatauCue “Close”

Stephanie B “Back to New York”

Calvo “Need U”

Gwen “Soul Conga”

For more of my mixes, check out my Soundcloud.

Madeon Brings the Future of French Touch to Kansas City.

February 1, 2016
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Madeon at the Midland.

French DJ/producer Madeon smashed Kansas City hard on Saturday night with an hour and 20 minutes of diverse French dance music. He brought the Pixel Empire tour to the Midland, which showcased his skills and a stunning visual production. The 21 year-old gave the partying Midland crowd exactly what they wanted.

A lot of DJs get criticized for not playing anything live, but Madeon put the work in and beasted it live. Using track pads, he would trigger beats and samples in real time. His mixing was flawless and on point all night. His tunes drew from a wide range, from dubstep to classic French touch. Regardless of the style, his use of filters and phasing was very French. It was a beautiful thing.

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Madeon at the Midland.

A few of the tracks fell into a category I call “beach music.” It’s the music you hear when you’re chilling on the beach in France, eating a French doughnut. It’s the sound you hear when you’re clubbing next to the sea. The songs are the perfect mix of the cheesy and the sublime. Dance anthems become popular in France every summer. Madeon dropped his remix of Martin Solveig’s “The Night Out” on Saturday in KC, it’s a quality example of beach music. He also played Daft Punk’s 1997 classic “Around the World.” Moments like these lit the crowd up.

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Madeon at the Midland.

It was a glorious night of tunes and joyous energy. By paying homage to the past and pushing his sound forward, Madeon proves that the future of French dance music is looking bright.

Chasing the Dragon With Big Fat Bearded Jam Band.

January 30, 2016

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Of all the festival lineups, this might be one of the best. The highlight has to be the legendary Big Fat Bearded Jam Band. I love Big Fat Bearded Jam Band. They have never played the same set twice. Big Fat Bearded Jam Band have done so much nitrous, they don’t even remember the concept of a set list.

All the members are virtuosos and they all play at once. I love when they cover obscure funk jams and slow the tempos way down. Their flaccid funk helps to placate the big-eyed masses. Big Fat Bearded Jam Band’s music has been described as sounding like a really bad Steely Dan high on bath salts. The four hour shows just fly by when you can’t feel any of the nerve endings in your face.

However, not everything is groovy in Big Fat Bearded Jam Band land. The 45-minute drum solo could probably use some tightening up. Big Fat Bearded Jam Band should also just try not to sing. They tried to harmonize once and it just sounded like, “Ahhhh!!!! Arrrrrgggg!!! Ahhhhhhh!” Also, never see them during the day. Their daytime festival sets sound even more listless.

“During the day sets, they look very hungover,” stated fan Chad Chaddington. “You gotta see them late at night, brah. I saw their aftershow for an aftershow for an aftershow of a Phish aftershow once. It melted my face off of my face.”

For Big Fat Bearded Jam Band and their devoted fans, the pothole-filled road goes on forever. Just keep chasing the dragon into blissful, spinning glory.

Interview With a Mermaid: Aurelia Gyldenscale.

January 29, 2016
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Aurelia Gyldenscale (photo credit Joey Kirkman)

I recently posted a satirical piece on mermaids. However, I wanted to dive in deeper on the subject and gain some insight from a professional mermaid. Aurelia Gyldenscale is a Kansas City-based mermaid. She is known as the Heartland Mermaid. Aurelia recently discussed how she became interested in mermaiding, her creative process and advice to aspiring merpeople. For more info on Aurelia Gyldenscale, check out www.heartlandmermaid.com and her Facebook page.

What inspired you to become a professional mermaid? 

Growing up, I loved to read fantasy books and books about world mythology. I don’t recall ever reading any specifically about mermaids, but it was the imagination and the adventure that I sought. When I got into college I had less time to read for pleasure. I think the opportunity to escape into a world of fantasy and adventure is what brought me to involve myself with the Kansas City Renaissance Festival. I worked at KCRF in several different positions for a few years. First as a henna artist, then as Queen of the Fae and the Princess of Denmark. In 2014, they were casting for mermaids, so I auditioned. After that first season, I fell in love with the character, the interactions and the mythology. I started working with Merbella Studios, out of Florida, to create my own custom silicone tail and started planning to take on more event appearances once it was finished. The rest is history.

Are there any challenges to being a mermaid in the Midwest? 

It can be harder to find work when you’re not near an ocean and finding a place to swim can be a bit more challenging as well. Most people in the Midwest haven’t seen a monofin before, let alone a full tail, so a big part of the process is educating them about what it is, how I use it safely, and letting them know that I have insurance. It’s still worth the extra effort. 

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Aurelia Gyldenscale (photo credit J. Berendt)

How old were you when you designed your first mermaid outfit? 

24. The first mermaid tail I’ve helped design is my current tail. At KCRF we rented tails, so I didn’t have much creative input in the actual tail itself. However, I’ve been making costume pieces and accessories for all of my Ren Fair and Circus characters for about six years. I’m a very crafty fish.

What do you feel are the biggest misconceptions about mermaids?

I feel like the biggest misconception about mermaids is that you have to fit into this stereotypical idea of what it is to be a mermaid in order to live the dream. You don’t have to have an incredibly expensive silicone tail or be a certain size or have a certain length hair to have fun as a mermaid. There are so many affordable options for fabric tails these days that anyone can realize their dream of being a mermaid. One of my dreams is to eventually open up a mermaiding school where I can help teach people how to be safe, maintain an active and healthy lifestyle, and harness their creativity while mermaiding.

How does your creative process work when designing outfits?

When I’m working on a piece, I usually go into a craft store knowing exactly what I want to do or where I want to go creatively. Then I try to find the materials, fail miserably, and come up with something new (and most of the time better) from what I see is actually available. For inspiration, I like to browse traditional mermaid imagery in art and popular culture. I’ve spent more than a little time on Pintrest weighing ideas as well. A big thing that is important to me is originality. My mermaid character may be inspired by different things I see or experience, but nothing in it is a copy. I want my props, costume pieces, and set items to reflect that goal as well.

What inspires your fashion sense?

I kind of go back and forth between a love of clean lines and minimalism and the “more is more” philosophy. So, it depends on the day how I’ll dress myself. I’ve also been a fashion model for about 6 years, which you would think would make me a fashionista. I think it’s done the opposite. I’ve spent so much time having other people doing my hair, makeup, and wardrobe for me that I like to not think too much about it all myself unless it’s a special occasion. The exception here is vintage clothing. I love vintage pieces. It’s a shame that it is hard to find them though (being 5’11”…women were so much smaller pre-1970s). 

Do you have a quote or motto that you live by?

Education, learning and growth are the most important aspects of my life. My favorite quote related to this is from Pablo Picasso: I am always doing that which I cannot do, in order that I may learn how to do it.” If I see something that interests me, I go after it. I research it. I find a way to make it happen. 

What advice would you give to merpeople just starting out?

Start slow. Learn about the community. Be safe. Mermaiding is such a new hobby and sometimes people get this idea that it’s easy. At the end of the day, our tails are sports equipment, not toys, and need to be treated as such when swimming. Always swim with a buddy, always check your equipment before going in, and always be considerate of the other people around you. It only takes one unsafe swimmer to get monofins and tails banned in a public pool. As for everything besides swimming, there are tons of online resources through the Mernetwork forum. Take the time to learn about it, especially before investing large amounts of money, just like you would any other hobby. Come to it with an open, friendly attitude and people will be happy to help.

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Aurelia Gyldenscale (photo credit Joey Jirkman)

The Magic of Snooks Eaglin.

January 27, 2016
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Snooks Eaglin (image via allmusic.com)

Last week marked the birthday of New Orleans blues guitarist Snooks Eaglin. Snooks was a legend of New Orleans music, but not enough people know about him. Eaglin played with Professor Longhair and also played guitar on the Wild Magnolias’ first album. Snooks passed in 2009, but his music and the joy he had playing still resonates deeply with many NOLA music fans.

As I walked into the Mid-City Lanes Rock ‘n Bowl, an elderly blind man was carefully navigating his way up the rickety stairs. I didn’t realize at the time that this was Snooks Eaglin. I was about to find out. For over two hours, he completely melted the stage of that bowling alley.

Every time I saw Snooks live, it was totally mind blowing. Snooks shows would be a combination of blues, jazz, funk and quality old school New Orleans R&B. You would never know what he would play. Anything could happen. He would often just call out key changes to songs as he went along. Snooks rarely used set lists, he would often take requests shouted from the dancing crowd. Meters bassist George Porter Jr. played with Snooks for many years. When I interviewed George, he talked about the experience of playing shows with Snooks,  “Before the gig is over, you will have played three or four songs you’ve never heard before in your life.”

Below is one of my favorite Snooks clips. It’s a cover of Professor Longhair’s “Red Beans.” George Porter Jr. is on bass and Jon Cleary plays piano on this live version. So much soul and fire on this tune! Once you know about Snooks Eaglin, you will quickly learn why he is considered a legend of NOLA music.

 

A1 and Rumple Minze: The New, Hip Cocktail of Choice?

January 26, 2016

 

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Is this the new cocktail of choice?

You know I’m all about sharing the latest hip trends. This bottle of A1 steak sauce and Rumple Minze were purchased together at 9:30 am on a Monday. Is this the new hip cocktail of choice? “The smoky nodes of the A1 really compliment the minty mouthwash burn of the Rumple Minze.” I’m sure this tastes like Santa Claus got drunk at Outback Steakhouse. Mock it now, but this will probably be the big thing in five years. Don’t forget to say you heard it here first!

Typeface Fiends.

January 26, 2016

 

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National Enquirer Cover (image via nocoastoriginals.com)

“I like the National Enquirer, because they are the only magazine that uses bold typeface. They were like, ‘Donald Trump is….A LIAR!!!!’ Okay, bad example. The last one I saw, they were like, ‘Bruce Jenner is…..BECOMING A WOMAN.‘” -Overheard at the grocery store.