Posts Tagged ‘2016’

McClain Approved: Underworld “Low Burn.”

March 22, 2016

Underworld is my favorite band. The English duo is composed of lyricist/vocalist Karl Hyde and multi-instrumentalist/producer Rick Smith. Active since 1980, Underworld has always had a more mature take on dance music. It’s still a party, but a weird and wonderful one. I collect Underworld live bootlegs and I have almost everything they have released. Underworld has a very signature sound. Some of their tracks focus on minimal ambient pulses, while others are full blown rave epics. The lyrics often float by in fragments, like a strange dream. Unlike a lot of other dance music, there can be a wonderful subtlety to Underworld’s music.

A recent piece in the Guardian describes a major turning point in Underworld’s career;

The following sounds like a convenient myth, but it’s true: in 1990 Smith’s total income was £120, and his wife, Tracy, convinced him to change tack and make music he liked. “The best thing that ever happened to me,” Smith says. Interested in techno, he started working with young DJ Darren Emerson, and his world turned around. Hyde went along with him: “After 10 years of being conscious of what’s in the charts, what the record labels want, what we think we should be doing, which people didn’t get anyway, the minute our music got honest and personal, it became open to people.”

Being true to themselves helped Underworld connect with people in an honest way. It’s inspiring. Hyde and Smith don’t create tracks with cliche buildups or chase EDM trends. Underworld exists within their own musical space. Their latest album, Barbara Barbara, We Face a Shining Future, showcases many of the qualities that make Underworld so great. It is one of the best albums of the year. The slow building track “Low Burn” is my favorite song off of the album. The stream-of-consciousness lyrics and the rolling beats mesh together beautifully and could only come from Underworld. The future is shining and it will be glorious.

McClain Approved: Garmiani “Bomb A Drop.”

March 22, 2016
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Garmiani (image via http://www.salacioussound.com

When the weather gets warmer, my taste in tunes starts shifting back to my love of dance music. When it comes to dances tunes, I’m looking for forward momentum and quality production.  It’s always fun to see what new tracks stand out from the pack and really grab my attention.

Garmiani is a Swedish bass DJ and producer. I love the dancehall-trap fusion vibes of his track “Bomb A Drop.” He samples Ding Dong’s “Badman Forward Badman Pull Up,” but amps things up to a whole different level. It sounds like the kind of track Major Lazer should still be creating. The production is a bit left-of-center in places, but the tune still goes hard. Garmiani really brings the energy and “Bomb A Drop” sounds like a hard-hitting summer anthem in the making.

The Trippy Vibes of House of DeBoer.

March 17, 2016

I recently received my ceramics box from Kansas City-based House of DeBoer. House of DeBoer is comprised of Brock and Colleen DeBoer, a husband and wife design and manufacturing team. I donated to their Kickstarter. These ceramic works were created using a 3D printer. It was exciting opening up the box and seeing what surprises awaited under the bubble wrap. Brock and Colleen are an artistic power couple. The trippy vibes of the pieces really speak to me. It is always inspiring to see local artists creating art that is sleek and has such a strong visual appeal.

Blowing Up: An Interview with Balloon Artist Molly Munyan.

March 17, 2016
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Molly Munyan in her Royals-inspired balloon dresses (image credit: Bo Flores Photography)

Molly Munyan is a Kansas City-based balloon artist. She is known for her handcrafted balloon outfits. Munyan recently held a balloon fashion show. Molly discussed how she became interested in crafting balloon outfits, her creative process

Did you come from an artistic family?
Somewhat, my parents met through doing theater in college. They are artistic, but more on the performance side. I am definitely the child that is the culmination of the most artistic aspects of both of my parents. I am definitely the only one to try and make a career out of the arts. My two older biological brothers, neither of them are terribly artistic. I kind of got the lotto on the artiness.

What was your first memory of making art growing up?
I don’t really know, but I was always the kid that had my hands in something. Wrestling and soccer after recess, that wasn’t me. Staying late after art class, that was always me. I was always doing something. I haven’t had that much inclination towards 2D. It’s been origami, ceramics and Play-Doh, dumb shit like that. I’ve always been doing something like that.

What inspires your personal fashion sense?
Someone asked me, “If I was a combination of two icons, who would I be?” Easy, Pee-Wee Herman and Beyoncé. Getting dressed, I follow the motto of, “If I look like I would look good in a music video, I’m good to go.” Not all music video looks look the same, but they are extremely whatever they are. I want to look extremely whatever I look like. Just never settle.

What got you interested in creating balloon art?
I really just stumbled into it as a kid. I learned how to when I was bored in my parent’s basement. It wasn’t until I was 15 that I picked it back up. Everyone sort of asked me at once if I do parties. I was like, “Uhhh, I can.” The way I became a business professional is that I called Chick-fil-A and told them I’m a professional if they would hire me. They said yes, so I became a professional.

What was the first outfit you created out of balloons?
I was homecoming queen in high school. I made my homecoming dress out of balloons. I prototyped it a couple of times, but that was the first outfit I made. It’s what got me into it.

What is your creative process for crafting balloon fashion?
Making a balloon dress. Step one: Caffeinate. My creative process for the balloon dresses kind of varies. Sometimes, I’m like sitting at a stoplight and think, “This would be a great skirt design.” Then, I sketch it and I have it in the bank when I want to make a balloon dress. Other times, I sit down with a blank mental canvas and say, “What am I going to go for?” A lot of times, I have sketches in my balloon dress sketchbook. I pull from them, I pull from ideas that I’ve had. It always ends up a little different than you could ever plan. On paper or in your mind, it will never look the same as on the form. There are changes you do make along the way, but I do have a plan for it. Always.

How long does it take you to complete an outfit from start to finish?
It depends on what I’m making. A lot of the process is the creative process. Me sitting there going, “What am I going to do?” If I made a look and made the exact same look afterwards, it would take two-thirds of the time. It cuts out the creative process and I’ll I have to do is make balloons. Around 15 hours, often more, rarely less.

What have been the biggest challenges you’ve had to overcome in your career?
Honestly, my biggest challenges are just sort of being a real person. Responding to emails, being places on time, staying on top of the little things that aren’t fun. I’m much better at big artsy projects that I’m excited about. It’s always been hard for me to get shit done when I’m not passionate or inspired about what I’m doing. That’s a big challenge, getting things done to get me to the place where I want to be. The big art projects, the exciting, new things.

Do you have a favorite quote or motto that you live by?
“No one can be uncheered with a balloon.” -Winnie the Pooh.

“Thousands of candles can be lit from a single candle and the life of the candle will not be shortened. Happiness never decreases from being shared.” -Buddha

Also, “Be here now” is a thing I think about a lot. Living every moment to the fullest and that bullshit. My watch says now on it, so I can look down and remind myself that the time is now. No time like the present to be happy and make others happy.

What advice would you give to designers just starting out?
This is a piece of advice that I received from my favorite poet Steve Roggenbuck, “Make art that you like. If you make art that you think is going to attract the most people, you’ll find that your audience Is watered down with people that don’t like the real you or interested in the real you.” He also says that over time, you can’t fake passion. Do what you’re passionate about, things that you love. Your inspiration will never die if you’re still excited about what you are doing. You can even see with my Royals and Chiefs dresses, they were like marketing pieces. I don’t see them as sellouts because I loved what I was doing. I was excited about every part of the process. They were totally fun to make. I wasn’t making them for anyone but myself. It was fun.

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Molly in her Chiefs-inspired balloon dress (image credit: Bo Flores Photography)

A Journey into Pop Couture.

March 15, 2016

I recently attended my first balloon fashion show. The show, Pop Couture, was held in the hip Crossroads section of Kansas City, Missouri. The show was put on by Kansas City-based balloon artist Molly Munyan. Munyan is the co-founder of Pop Culture Sculptures. Molly is a whirling dervish of joyous energy. The passion and innovation within Molly’s work is inspiring.

The Future of Fashion: Sex + Ice Cream.

March 15, 2016
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Nicole Leth, owner and creator of Sex and Ice Cream.

What does the future look like? Probably a lot like Nicole Leth. Nicole is the creator of Kansas City, MO-based fashion line Sex + Ice Cream. She is opening a boutique in Kansas City, also called Sex and Ice Cream, in May. Nicole recently discussed how she became interested in fashion, her creative process and the qualities she looks for in innovative designers.

Did you come from an artistic family? Were your parents artistic?
Not really artistic, more creative I would say. Both my parents were in the medical field. My dad was a doctor and my mom is a nurse. I would say I got most of my creativity from my dad though. He was brilliant, like a literal genius. He wrote books on the side and made jewelry all while being one of the top anesthesiologists in the country and traveling the world. I definitely have his brain and learned how to be driven from him. He was an amazing human being.

What first got you interested in fashion?
I was always, always, always a fashion buff. As a kid I would read fashion magazines and then doodle the clothes on Sailor Moon look-a-likes in my journal and make up scenarios about where she would wear the outfits. When I got older I would mow lawns all summer long to make money and save up to buy some of the designer clothing I saw in magazines. I had it all calculated out. I knew that a Marc Jacobs bag = 7 lawns or a Kate Spade top = 3 lawns.

What inspires your personal style?
Everything. A lot of the times, its my mood when I wake up in the morning. You’ll know I’m having a good day based on how colorfully I’m dressed. Songs inspire me too. I’ll listen to a song and all of a sudden have an idea for an outfit based on the way the song made me feel. Lately, I’ve been really into the Beach Boys and have been putting together outfits with a lot of sheer neon, gingham, and kind of tropical-vintage silhouettes- all things the Beach Boys make me feel.

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Nicole Leth (image via http://www.sexandicecream.net)

Who are some of your favorite designers and why?
Someone who influenced me very early on was Betsey Johnson. I remember the first time I stepped inside a Betsey store and was blown away by the patterns and unapologetic femme edge to everything. As I got older and started to make fashion my career I started to find more designers / brands with brains like mine that really influenced me and helped me grow in my own way. Peggy Noland, Seth Bogart, Emma Mullholland, Jeremy Scott, and Lazy Oaf have been some of those for me.

What have been the biggest challenges you’ve had to overcome in your career?
The biggest challenge, by far, has been being taken seriously as a professional. I’m a 23-year-old girl who embraces her sexuality but also has her own business – which is apparently a hard concept for people to grasp (and it shouldn’t be). A blonde in a crop top and hot shorts who is ALSO a motivated businesswoman, store owner, writer, artist, and has an 4.0 GPA!?!? WOW WOULD YA LOOK AT THAT!!!!?!? But all jokes aside, it’s been a struggle to work with people and have the respect factor there. I’m a very trusting person and its been a huge challenge to realize that people may not always be what they say there are/may not have your best interest.

How did the concept for Sex + Ice Cream come together?
It all started when I was 18 and going through a bad break up. I was absolutely heartbroken after I found out (who I thought was) the love of my life was cheating on me. I wanted to do something to empower myself and build something that would belong to me, and only me, for the rest of my life. So I decided that I wanted to start a clothing line. That boy and I used to do a thing where we would eat a pint of ice cream after we had sex and he would always tell me “Nicole sex and ice cream is OUR thing, you’ll never be able to do this with anyone else.” So that night when I decided that I was heartbroken and decided that I was going to start a clothing line I immediately knew that I wanted to call it “Sex + Ice Cream.” It was my way of telling him “No, sex and ice cream is MY thing and you can NEVER take it away from me.” I’ve obviously moved on since then and I haven’t talked to (let alone thought about) that guy for years now but to me the name “Sex + Ice Cream” is less about revenge now and more symbolic of a teenage girl choosing her dreams over a boy for the first time in her life and believing in herself for the first time in her life.

What was the first piece of clothing you designed for Sex + Ice Cream?
It actually all started with some fabric I designed with bras all over it. I did these little doodles in my journal of these bras that reminded me of some of the powerful female friends and family and then screen printed them all over yards of fabric. I absolutely fell in love with the process of taking personal drawings and turning them into repeat patterns and designing textiles. I ended up making an entire collection of clothing out of that bra printed fabric and showing them at my first fashion show when I was 19. I still get emotional when I think about that first collection, it represents so much to me.

You are opening a Sex + Ice Cream store in Kansas City soon. You are featuring clothing from female designers from all over the country. What qualities do you look for in the work of designers you are going to be featuring?
I’ve been picking brands that have been influential to me, my personal style, my womanhood, and my artistic career. I made a list before I ever knew I was going to open a store of brands and designers I wish were sold in Kansas City. They range from small scale independent makers I’ve found on Instagram to big-time clothing brands that I’ve been shopping online from for years. Its important that their aesthetic fits with mine in some way and I’m really excited to create a retail collective of pieces and objects that are meaningful to me!

What is your creative approach to designing fashion?
I design based on what I am experiencing at that given moment in time. Much like my personal style, the clothing I design reflects who I am, what I am thinking about and feeling and what I am interested in at this exact moment in time. I’m interested in the narrative qualities of clothing and treating it as a visual diary. I think about designing the fabric first and then I think about what type of garments I want to make from the fabric.

Do you have a quote or motto that you live by? What advice would you give to designers just starting out?
The most important thing you can ever do when something negative happens to you (whether it be in the professional world with your business/job or in your personal life with a romantic partner) is turn it into something good — something that you can learn from or better yourself from or just let go of. I’ve realized over the past years that a bad thing can only be bad if you let it be, but once you take the power away from the bad and turn it into something good that you can ultimately use to better yourself. You are capable of anything. This is empowering yourself. Knowing that nothing can ever break you down completely is a very stabilizing thought. For example, when I was 18 and going through that break up I thought that my life was over. I thought nothing good could ever possibly come from that. But without that bad break up, I wouldn’t have felt that fire to decide to chase my dream and start Sex + Ice Cream. That incident helped me see how strong I was and believe in myself more than I ever had before. And that’s the most important thing.

“Trump Snapchat Me That Pussy!!”

March 14, 2016
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A protester holds up a sign outside of the Donald Trump rally in Kansas City, MO (March 12, 2016).

This was the most confusing sign I saw outside the Donald Trump rally in Kansas City. MO.

McClain Approved: The Meters “It Ain’t No Use.”

March 10, 2016
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The Meters (image via http://www.kalamu.com)

McClain Approved is a column where I give you the rundown on an artist you need to know and share a track from them.

“I know some people who think that KC and the Sunshine Band is funky and that’s just WRONG,” my friend said with disdain. It’s true. Once you have seen the glory of real funk, it is a complete game changer. A lot of people are funk deficient and they don’t even realize it. I consider myself a funk evangelist. Seeing something raw and real can forever change your outlook.

Tapping into New Orleans and NOLA funk helped me transcend my squareness. NOLA reshaped and upgraded my personal understanding of funk. Funk itself can be hard to define, because there are so many subtleties and varieties. However, for me, it is all about the groove. I call bad funk “flaccid, sad trombone funk.” WAHHHH WAHHHHHH. This is unacceptable. A person can become a funk snob, and that is a beautiful thing. It’s like learning to speak a whole new language. New Orleans expands your idea of what funk can be and how funky things can become. We have seen shows were the funk goes beyond reality and into a whole different level. Once you know, you know. It is like a funk enlightenment. There is no going back.

You might ask, “McClain, who is the funkiest band to ever come from NOLA?” It’s the Meters, of course. The Meters helped to invent funk. They took second line rhythms and R&B grooves and injected them with their own brand of real, organic funk. Their loose but tight sound could only come from NOLA. The Meters were formed in 1966, in New Orleans. The members of the Meters are keyboardist Art Neville, bassist George Porter Jr., drummer Zigaboo Modeliste, and guitarist Leo Nocentelli. Percussionist/vocalist Cyril Neville joined the group in 1970. I have been fortunate to have interviewed several members of the Meters over the years. They are gracious, passionate about music and truly tapped into another way of thinking. Their musical innovation and positive mindset are inspiring. Even today, the members of the Meters are still pushing funk forward. The group disbanded in 1977, but have reunited several times since. They are playing a night show at the Orpheum Theater, in New Orleans, during Jazz Fest 2016. The Meters are beloved by many musicians, but seem overlooked by a lot of music fans.

The Meters have a song that serves as a mission statement for me, “Funkify Your Life.” The lyrics almost act as a manifesto, “Fukify your life, get on down. You can be the funkiest in town.” I mean, why the hell wouldn’t you want to be the funkiest in town? When you sit down and think about it, being funkier is the only sensible option. Be better, be more, funkify your life!

I wanted to share a deeper Meters cut with you. This 1975 live version of “It Ain’t No Use” was recorded on the Queen Mary. The band’s interplay is really on point here. George and Zigaboo take the funk into new realms on this version. THEY GET DOWN! Once you learn about the Meters, your life will forever be funkified.

International Women’s Day.

March 9, 2016

Yesterday was International Women’s Day. Shouldn’t every day be International Women’s Day? Women are at the top of the mountain of life. Shout out to all of the inspiring women that are beasting it hardcore everyday.

Playlist for Upcoming Crossroads KC Shows.

March 9, 2016

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I recently made a Spotify playlist of of artists coming to Crossroads KC. You can listen to the playlist here.